We All Got A Sacred History

Paul Harvey

“Africa is no historical part of the world,” wrote Georg Wilhelm Friedrich Hegel in the nineteenth century. Blacks, he thought, had no “sense of personality; their spirit sleeps, remains sunk in itself, makes no advance, and thus parallels the compact, undifferentiated mass of the African continent.” In short, Africans were a people without history. The World Historical Spirit that moved history forward never breathed over the continent.

"We all got history . . . It's there. You just got to look for it," said Ellen L. Hazard, descendant of a friend of Amos Webber, a free black Union Army veteran, churchman, political activist, and fraternal order member in mid-nineteenth century Massachusetts (and a personage recovered in 1996 by historian Nick Salvatore; see the link above).

Webber and his family and friends (and his descendants) knew that they lived through some of the most dramatic and revolutionary events of nineteenth-century history: the Civil War and Reconstruction. Black Americans were not just a people with history; they practically embodied American history.

With honorable exceptions, white Americans from the Revolution to the early twentieth century were Hegelians at least in terms of their relegating of Africans and African Americans to the historical dustbin. Black Americans like Amos Webber knew otherwise. And so did the legion of authors, intellectuals, philosophers, poets, schoolteachers, journalists, and sociologists, both educated and self-taught, which Laurie F. Maffly-Kipp discusses with consummate skill in her new (and long-awaited book) Setting Down the Sacred Past: African American Race Histories.

I'll have much more to say about this important work later in the summer when I have the chance to review it fully for Books and Culture. I'll save the full-length review for that venue. For now, here's a bit more from the book's website:

As early as the 1780s, African Americans told stories that enabled them to survive and even thrive in the midst of unspeakable assault. Tracing previously unexplored narratives from the late eighteenth century to the 1920s, Laurie Maffly-Kipp brings to light an extraordinary trove of sweeping race histories that African Americans wove together out of racial and religious concerns.

Asserting a role in God's plan, black Protestants sought to root their people in both sacred and secular time. A remarkable array of chroniclers—men and women, clergy, journalists, shoemakers, teachers, southerners and northerners—shared a belief that narrating a usable past offered hope, pride, and the promise of a better future. Combining Christian faith, American patriotism, and racial lineage to create a coherent sense of community, they linked past to present, Africa to America, and the Bible to classical literature. From collected shards of memory and emerging intellectual tools, African Americans fashioned stories that helped to restore meaning and purpose to their lives in the face of relentless oppression.

In a pioneering work of research and discovery, Maffly-Kipp shows how blacks overcame the accusation that they had no history worth remembering. African American communal histories imagined a rich collective past in order to establish the claim to a rightful and respected place in the American present. Through the transformative power of storytelling, these men and women led their people—and indeed, all Americans—into a more profound understanding of their interconnectedness and their prospects for a common future.

Towards the close of the introduction, Maffly-Kipp makes the following key argument, historicizing the process by which nineteenth-century African Americans set down their sacred past. This sets the stage for a rich and complex analysis to come. A little taste here, to whet your appetite:

"Africans became African American as a necessary response to Euro-American persecution. Yet that same Euro-American society, and particularly evangelical Protestantism in both its intellectual and its institutional guises, also furnished the media necessary to construct counter-narratives of unity and sacred purpose. Ultimately, as is the case with all collective memories, this process of narration resulted in the affirmation of a group identity that came to be seen as 'natural' and inevitable rather than humanly constructed, denying its own genesis in a particular historical circumstance."

Like a lot of scholarship on African American religious institutions recently, Maffly-Kipp historicizes the concept of the "black church" itself; and much like Native American authors and theologians have done with the Old Testament, she explores the complications of taking Old Testament stories into the international political arena of the nineteenth century (as in a full chapter about black Americans' complicated and tortured relationship with Haiti through the nineteenth century). The deeply Protestant, and deeply African American, chronological narratives written through the long nineteenth century provide a rich vein for intellectual history and literary recovery.