Tampilkan postingan dengan label print culture. Tampilkan semua postingan
Tampilkan postingan dengan label print culture. Tampilkan semua postingan

Minggu, 19 September 2010

The End is Always An Arm's Length Away

Kelly Baker

Spending my weekends in the End of Times section at the local bookstore is becoming a habit for me. Pouring over not only Tim LaHaye's popular Left Behind series but also any other work of fiction (Christian or otherwise) listed under apocalypse, rapture, post-apocalyptic or the end. The apocalypse haunts my book shelves, my waking hours and my dreams these days. If I am not reading about the end, I am watching cinematic ends including zombies, angels and the hot monster-stalking brothers of Supernatural. My Netflix queue is a bit scary and my movie watching partner any day now is going to declare apocalyptic burn out. The end is always an arm's length away at my house.

This apocalypse obsession is currently focused on LaHaye. My relationship with LaHaye is completely one-sided. He has no idea that I even exist but he would probably be content to know that I now own several of his books both fictional and theological. I would like to say that LaHaye has been a peripheral figure in my mind since my high school days and the popularity of his Left Behind series among the young (and not-so-young) evangelical set. In 1998, I even started reading the eponymous first book, "a novel about earth's last days" and didn't get further than piles of clothing lying haphazardly on an airplane. In 2010, I finally finished the 468 page book I started twelve years ago as well as LaHaye's new venture in fiction with Craig Parshall, The End (2010) series. Moreover, I now am the somewhat proud owner of several Left Behind:The Kids books, two Left Behind films and multiple theological works "unveiling" Revelation and explaining how we are actually at the end of days. Why might you ask would I spend my limited time and energy on evangelical pulp fiction? (If you ask this, then you possibly don't know me well.)

This can partially be blamed on my students and my Apocalypse in American culture class, but that is a bit disingenuous on my part. Granted, I did assign interviews with Tim and Beverly LaHaye, excerpts from The Edge of the Apocalypse and excellent analysis from Amy Johnson Frykholm's Rapture Culture. Yet, the real reason is that I have become a bit obsessed, in a scholarly way, with LaHaye's end of times theology from Rapture to the Glorious Appearing, which includes tribulations, destruction, more destruction and a vast majority of humanity being wiped out in inventive yet terrible ways. His Revelation Unveiled sits on my desk with a cover bent from use because of his charts that depict timeline and explore the essentials differences between pre-millennialists, a-millennialists and post-millennialists.

Part of my effort is to understand the theology that LaHaye has spent much of his life popularizing. The other is to attempt to understand the appeal of the sixteen book series that sold 65 million copies and even made it to the top of the New York Times bestselling list. Left Behind, the book, turns fifteen this year, and LaHaye is still writing and preaching his approach to the end of times. The plot of the first book includes the rapture of true Christian believers, international intrigue, intrepid reporters, converted Christian skeptics and the appearance of the anti-Christ in the form of the Romanian Nicolae Carpathia. The Left Behind books follow the melodramatic saga of the Tribulation Force to the Glorious appearing of Jesus and eventually to the millennial kingdom. The series also includes three prequel books that follow Rayford Steele (the pilot), Buck Williams (the journalist) and Carpathia before the Rapture.

Fifteen years later, LaHaye and Parshall's The Edge of the Apocalypse provides a different and sometimes more disturbing narrative. Joshua Jordan, a former military man and now weapons designer, saves New York City from nuclear destruction using his Return-To-Sender defensive shield developed by his private company. In the early pages, Jordan's wife, daughter and son face nuclear annihilation, but Jordan saves the day. However, Jordan is not hailed as a hero but rather he is called in front of a Senate Committee for hostile questioning and maligned by the liberal media. LaHaye's favorite threats are still present: globalization, one world currency and the dangerous nature of peace. But, Jordan, a skeptic married to beautiful church-going wife, is not concerned with the end of the world but rther the end of the American nation. The patriotic hero fears that the government will steal his top-secret weapon and leave America unprotected from enemies that pretend to be allies. The edge of the apocalypse, then, is not for the global world but the particular American population, who cannot trust their government to protect them. The cynical Jordan, however, is one step ahead of the reader, and he organizes a small group of powerful capitalists, including one woman, called the Roundtable. The small cabal hopes to illuminate the government's diabolical plans and protect the nation at all costs.

What proved most striking to me was the intimate relationship between the American nation and the end of the larger world. LaHaye and Parshall's America was the redeemer nation, the model, and when America failed, so too would the rest of the globe. LaHaye and Parshall uplift a small band of Christian patriots to take back the nation if the government no longer protects its citizens. The book ends with Jordan contemplating how to work against our national government and deciding his group could lead the way to revolution. Perhaps, the reader is supposed to think, people like Jordan could save our nation from itself. This vision of the nation and the world bears some similarity to Left Behind but the larger tale appears more ambivalent about the end of a nation and its people.

Yet, the call for small groups to defend the nation and antagonize government proved a little too similar to the white supremacists that I study as well. They can't trust government either, the end is near and they guarantee that they are ready for it. The Edge of the Apocalypse conveys a similar meaning. At least with Left Behind, the violence did not erupt until after the Rapture. With Edge, the end of the book, and the possible end of the nation, no longer has the guarantee, and its end feels nearer and closer. The Edge haunts my dreams and waking hours, and maybe my obsession with LaHaye is to place that book in perspective. Or maybe, it is my attempt to see how America's fate became intertwined with the apocalypse more largely.

Selasa, 01 Juni 2010

Know Your [Digital] Archives

Michael J. Altman

I wrote a blog post for the Hacking the Academy project last week where I argued that digital collections could change the way we think about graduate seminars because they allow for easier original research without having to leave campus. A while back Michael Pasquier wrote a great post on digital humanities and religious history.  Building on his list of sources I wanted to point out two more great online archives I've used in the past year to write seminar papers that will eventually make their way (in some form) into my dissertation.

First, there is the pair of Making of America collections--one at Cornell and one at the University of Michigan.  As the websites describe them, they are:

Making of America (MOA) is a digital library of primary sources in American social history primarily from the antebellum period through reconstruction. The collection is particularly strong in the subject areas of education, psychology, American history, sociology, religion, and science and technology.
 The Cornell collection contains 267monographs and over 100,000 journal articles while the Michigan collection contains about 10,000 books.

The second collection is, I believe, a little less well known.  The University of Pittsburgh has a digital collection of 19th Century Schoolbooks that is fascinating to browse through.  It is a smaller collection, only 140 volumes, but there is some great stuff in there for folks interested in American civil religion throughout the century.

Both of these collections have titles and journals that deal with missions, religious education and other things of obvious interest to historians of religion.  However, the full-text searchability of these collections makes them even more useful.  In my own research I've turned up really interesting references to South Asian religions in places I would have never found in a traditional brick and mortar archive.  I also think these sorts of collections have a lot of potential in the classroom--both for teaching and as resources for original student research.  It's one thing to lecture on the tensions between North and South in the 1850s, but reading a southern schoolbook versus a northern schoolbook offers a very different feel for those tensions.

If anyone knows of other good digital collections for religious history let us know.

Senin, 11 Mei 2009

Practical Matters, Prayer Pawns, and A Chat on We Shall Remain


Paul Harvey

Emerging briefly from the depths of senior theses and graduate seminar papers, before taking a deep breath and diving back down. Notes of interest on new opportunities for online explorations.

First, Practical Matters, an online journal of religious practice and practical theology published out of Emory, has just posted its first issue, on the theme "Engaging Imagination." Articles and reviews range from photography to dance to "ritual praxis inside the classroom," and a host of other ways to open up the religious imagination. The editors introduce the journal here, and explain further:

In this journal you will find digital scholarship that utiliz­es the capacities of the internet to ask and provoke new questions about religious prac­tices and practical theology. You will also find here a variety of content: peer-reviewed scholarship in several media and genres, reflections and essays by practitioners and teachers, video and audio interviews with scholars, reviews of current work in religious practices and practical theology, musical performances, photographic essays, and more.

Next, Katie Lofton has emerged from her cubbyhole at Princeton to deconstruct the recent nonsensical tit-for-tat about the "National Day of Prayer":

The irony of debates about national prayer is that they transform the experience of nationalism (worthy, perhaps) into a prescription of nationalism (failed, always). Despite our stories plurality (or perhaps because of them), the landscape of American hope and American need has become stunningly arid, silenced by prayer box sets and by rationalist relativism. What now to say before the dying soldier? What now to do during an epidemic of economic dismay? We reach for prayers, but they have become too precious by half, made by both squabbling sides something to demonstrate that you have done (he in the Oval Office, they on the sidewalk of Pennsylvania Avenue), rather than something that you seek to do. Beyond the glare of this hollow exhibitionism, we stretch for something real, we seek a prayer that isn't a pawn. And so I do what most mothers and fathers, lovers and workers, believers and atheists do: I squeeze the hand harder, and ask what I can do to see you better, to know you better, to serve you better. Then (I promise, I pray, I swear, I stand), I will do it.

Finally, I received this email about the PBS series We Shall Remain, a multi-part exploration of Native American History, which will interest some of you.

We would like to invite you to join us for a live chat with Julianna Brannum, co-producer of “Wounded Knee,” the fifth film in PBS’ “We Shall Remain” series. The films explore pivotal episodes in American Indian history. Tomorrow (Tuesday, May 12) at 2pm EST we’ll host a conversation about the film and Julianna’s behind-the-scenes perspective on this moving film. She'll answer your questions live in our hour-long chat.

Go to
www.pbs.org/chat on May 12th at 2pm to join the discussion or leave a question for her today.

Kamis, 05 Maret 2009

Warner to Lecture on the "Evangelical Public Sphere"

JOHN FEA

I just received word of this lecture series. It might interest some of our readers in the Philadelphia area:

Rosenbach Lectures for 2009: Michael Warner, Yale University

"The Evangelical Public Sphere"
Lecture Dates: March 23, 25, and 26, 2009
Time and location: 5:30PM, Rosenwald Gallery, 6th floor, Van Pelt-Dietrich Library
More information: (215) 898-7088; jpollack@upenn.edu

Monday, March 23, 2009:"Printing and Preaching: What is a Sermon?"RSVP HERE

Wednesday, March 25, 2009: "Between Freethought and Evangelicalism: Jonathan Edwards and Benjamin Franklin"RSVP HERE

Thursday, March 26, 2009:"Evangelical Publics and Christian Nationalism in the Late Eighteenth Century"RSVP HERE

Michael Warner is Seymour H. Knox Professor of English and Professor of American Studies at Yale University. His recent publications include The Portable Walt Whitman (2003), Publics and Counterpublics (2002), The Trouble with Normal (1999), and American Sermons (1999).

I have not read some of Warner' latest work, but I heartily recommend his The Letters of the Republic: Publication and the Public Sphere in Eighteenth-Century America (Cambridge: Harvard University Press, 1990).

While looking at Warner's Yale website, I also came across an essay on his pentecostal childhood that might also be of interest to the readers of this blog.

Crossposted at The Way of Improvement Leads Home.