Recently, I’ve been collaborating with a small group of scholars on a digital humanities project. As is often the case, we’ve got lots of experience in the humanities—folks from across the disciplinary spectrum of the liberal arts—but hardly any grasp of the technical computer skills necessary to produce a website that meets the incredible standards of today. I’m the only historian of religion involved in the project, which, without getting into the details, focuses on antebellum America. Aside from the many things I’ve learned about xml-this and tangible-interface-that, I’ve also become familiar with the variety of digital humanities initiatives at universities, archives, libraries, and other academic organizations around the country. You don’t have to be a rocket scientist to recognize the potential for digital scholarship to transform the way we conduct ourselves as historians in the not-too-distant future. And yet, from what I can gather, there aren’t many folks in the field of American religious history who are at the cutting edge, or even the margins of digital scholarship.
There are plenty of good explanations for why most historians of American religion (and most historians in general) don’t involve themselves in digital humanities projects. First, there is a rather wide disciplinary gulf between computer people and humanities people. Effective communication and working relationships are rare. Truly hybrid scholars are even rarer. Second, the costs for starting a digital humanities project are astronomical compared to the typical research budgets of individual scholars. An NEH Level-1 s
tartup grant, for instance, runs upwards of $25,000, while a Level-2 grant reaches $50,000. But when you’re looking at hiring consultants, traveling to conferences, hosting conferences, and paying graduate students to do the “dirty” work of inputting data—all for a measly prototype version of the still-imagined final product—there’s really no way of knowing how much everything will finally cost. Third, there’s the question of tenure. The framework for peer-reviewing digital humanities materials isn’t quite settled. The online scholarly organization NINES (Networked Infrastructure for Nineteenth-Century Electronic Scholarship) is one of the most respectable outlets committed to the production, collection, and dissemination of information about the digital humanities. For access to NINES’s scholarly projects, click here. For information on its review policy, click here. And for further readings on the digital humanities field, click here. You can also go to the website of the Alliance of Digital Humanities Organizations.Below, you’ll find a short list of digital humanities projects out there. You’ll notice that some are more or less interactive than others; some resemble traditional archives while others incorporate more visualization tools; some are better suited for the classroom while others are strictly research oriented; some are prototypes and some are final products; some are free access and some require subscription; and some are already relevant to the study of religion in the United States. You’ll also notice how important it is for digital projects to have institutional and university support. Prepare to feel left in the dust.
University of Virginia’s Institute for Advanced Technology in the Humanities
Virginia Center for Digital History
Electronic Cultural Atlas Initiative
French and Spanish Missions in North America (This is one of the few sites directly related to religion in America. Our very own Art Remillard was one of its creators!)
Dickinson Electronic Archive
The Walt Whitman Archive
The Ambrose Bierce Project
The Edgar Allan Poe Digital Collection
The 19th-Century Concord Digital Archive
Virtual Jamestown
Digital Archaeological Archive of Comparative Slavery
Sites of (re)Collection
Electronic Enlightenment
Digital Karnak
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